{"id":36529,"date":"2025-10-01T15:29:32","date_gmt":"2025-10-01T12:29:32","guid":{"rendered":"https:\/\/cirks.lv\/news\/rigas-cirka-rezidencu-programma-baltijas-maksliniekiem-eduards-halass\/"},"modified":"2025-11-19T17:20:03","modified_gmt":"2025-11-19T15:20:03","slug":"rigas-cirka-rezidencu-programma-baltijas-maksliniekiem-eduards-halass","status":"publish","type":"post","link":"https:\/\/cirks.lv\/en\/news\/rigas-cirka-rezidencu-programma-baltijas-maksliniekiem-eduards-halass\/","title":{"rendered":"R\u012bgas Cirks Residency Programme for Baltic Artists: Eduards Ha\u013cass"},"content":{"rendered":"

From 29 September to 16 October, 2025, Eduards Ha\u013cass is the artist-in-residence at the R\u012bgas Cirks Residency Programme for Baltic Artists, working on his upcoming show.<\/p><\/blockquote>\n

The artist envisions the performance as a reflection on what it means to age in art and in life, as well as on the limits imposed by the body, society, and one\u2019s own mind. Combining a philosophical perspective with subtle humour and comical situations, Eduard will remind us that circus is not only a physical discipline but also a space where one can laugh at oneself, experiment, and keep trying again and again.<\/p>\n

Acrobats Roberts Aub\u0113ns and R\u016bdolfs Stumburs, together with director Andris Ze\u013conka, are joining Eduards Ha\u013cass in the residency.<\/p>\n

Eduard Halias is a sports acrobat and circus artist with a brilliant career that was interrupted by injury. For several years, he has been seeking his way back onto the stage. This journey has not been simple: obstacles include the lingering effects of injury, the awareness of ageing, the long hiatus from active performance, and a new environment where his former discipline (the Russian bar) is no longer practised. Yet, through repeated attempts, mistakes, and new discoveries, he is gradually shaping his story of return.<\/p>\n

The residency at R\u012bgas cirks marks the first stage of this creative journey. It will provide a space for the artist to explore the thematic lines and narrative structure of the show, while also refining various acrobatic techniques (mini-trampoline, airtrack, partner acrobatics, teeterboard, handstands). This process will be akin to a search for a path \u2013 how to return, how to keep trying, and how to learn to see oneself in a new light.<\/p>\n

\r\n
\r\n \r\n \"\"\r\n <\/a>\r\n <\/div>\r\n
\r\n \r\n \"\"\r\n <\/a>\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n
\r\n
\r\n
\r\n
\r\n
\r\n
\r\n \"\"\r\n <\/div>\r\n <\/div>\r\n
\r\n
\r\n \"\"\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n \r\n \"\"\r\n <\/a>\r\n \r\n \"\"\r\n <\/a>\r\n